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About
Audio post professional specializing in music editing, sound design, and mixing for TV/series content, with hands-on Dolby Atmos experience. Uses a Pro Tools template-driven workflow with iZotope RX restoration, broadcast loudness targets, and full deliverables (stems + international mix), and is comfortable turning fixes around under same-day air/QC deadlines. Targeting $35/hr.
Experience
Post Production Sound EditorFreelance
Post Production SpecialistTelevisaUnivision
Audio AssistantPeek - Paax
Education
Instituto Tecnológico y de Estudios Superiores de Monterrey (ITESM Puebla)bachelor, Digital Musical Production (2019)
Key Strengths
Emotion-driven music and sound design choices that reinforce on-screen narrative beats
Advanced mixing craft (stereo/Atmos width, panning movement, filtering) to match camera perspective and energy
Broadcast-standard loudness and deliverables discipline (-24 LKFS, -2 dBTP; stems + international mix)
Efficient Pro Tools template-based workflow with strong routing and repeatable mix structure
Fast-turnaround performance under tight air deadlines with QC resubmission experience
Strong audio hygiene and restoration capability using iZotope RX and surgical cleanup techniques
Careful transition management (crossfades) to avoid clicks, silence gaps, and mismatched video/audio edits
Structured versioning and communication process to handle late editorial changes without rework