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Lisa Brochet

Senior Music Editor and Music Supervisor for Film & Television

Local 700University of MiamiLos Angeles, CASenior LevelWorks Remote

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About

Union music editor with 20+ years of TV/film experience, including high-profile work on Justified and The Americans. Known for narrative-focused song versioning across season finales and for extending/augmenting licensed tracks (including sound-alike composition integration) to fit complex, longform action sequences, supported by a structured Pro Tools + Video Slave + shared spotting-doc workflow.

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Key Strengths

  • 20+ years of music editing experience
  • Narrative-driven music editing tailored to season/episode arcs (Justified season finales)
  • Extending/reshaping commercial tracks to fit long sequences (8.5-minute chase using 'Tusk')
  • Integrating sound-alike compositions with original recordings for seamless continuity
  • Strong stakeholder collaboration and note-clarification process (asks questions, provides options)
  • Efficient preview/approval workflow using annotated .movs and shared spotting docs
  • Consistency-focused mixing approach using multiple speaker setups for translation

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Experience

Music EditorLocal 700 Editor’s Guild

Education

University of Miamibachelor, Music

Awards

  • Golden Reel Award Winner (2008) - Best Sound Editing in a Television Series, Music: Scrubs
  • Golden Reel Award Winner (1997) - Best Sound Editing in a Television Series, Music: Fame LA
  • Golden Reel Award Nomination (2015) - Best Sound Editing: Long Form Music in Television: Drumline: A New Beat
  • Golden Reel Award Nomination (2012) - Best Sound Editing: Long Form Music in Television: Avalon High
  • Golden Reel Award Nomination (2012) - Best Sound Editing: Long Form Music in Television: The 12 Dates of Christmas
  • Golden Reel Award Nomination (2012) - Best Sound Editing: Short Form Music in Television: Justified
  • Golden Reel Award Nomination (2011) - Best Sound Editing in a Television Series, Music: Detroit 187
  • Golden Reel Award Nomination (2010) - Best Sound Editing in a Television Series, Music: Castle
  • Golden Reel Award Nomination (2008) - Best Sound Editing in a Television Series, Music: Criminal Minds
  • Golden Reel Award Nomination (2007) - Best Sound Editing in a Television Series: Music & Scoring: My Name Is Earl
  • Golden Reel Award Nomination (2001) - Best Sound Editing in a Television Series: Music & Scoring: That’s Life ("Touched by a Biker")
  • Golden Reel Award Nomination (1998) - Best Sound Editing in a Television Series: Music & Scoring: Fame LA ("Brotherly Love")
  • Golden Reel Award Nomination (1998) - Best Sound Editing in a MOW, Pilot, Mini Series: Music & Scoring: A Will of Their Own
  • Golden Reel Award Nomination (1997) - Best Sound Editing in a MOW, Pilot, Mini Series: Music: Friends Till The End
  • Golden Reel Award Nomination (1996) - Best Sound Editing in a Television Series: Music: Lois and Clark
  • Golden Reel Award Nomination (1996) - Best Sound Editing MOW, Pilot, Mini Series: Music: Her Last Chance
  • Golden Reel Award Nomination (1995) - Best Sound Editing in a Television Series: Music: Lois and Clark
  • Golden Reel Award Nomination (1994) - Best Sound Editing in a Television Series: Music: Lois and Clark

Skills

Music editingMusic supervisionCompositionSongwritingMusic productionPianoGuitarVoice instructionPiano instructionSongwriting instructionLive performanceScoring for televisionString arrangingPercussion arrangingTemp score editing

Languages

English

Memberships

  • Local 700 Editor’s Guild

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Lisa BrochetSenior Music Editor and Music Supervisor for Film & Television