Mid-level Audio Engineer specializing in audio post-production and Dolby Atmos
Quinn already has a relationship with Reval, so a warm intro from us gets a much better response than cold outreach.
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Music editor/composer for longform video/podcast storytelling who builds original cues (e.g., dark strings and spacey piano) to heighten dramatic beats, then mixes in Pro Tools with Dolby Atmos. Brings live-show pacing instincts to YouTube-style retention, and iterates quickly on notes (e.g., adding brass sections to increase energy) with typical turnaround of 2 days to 1 week.
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