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Quinn Taylor
Mid-level Audio Engineer specializing in audio post-production and Dolby Atmos
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Music editor/composer for longform video/podcast storytelling who builds original cues (e.g., dark strings and spacey piano) to heighten dramatic beats, then mixes in Pro Tools with Dolby Atmos. Brings live-show pacing instincts to YouTube-style retention, and iterates quickly on notes (e.g., adding brass sections to increase energy) with typical turnaround of 2 days to 1 week.
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Key Strengths
- Composes original music to shape emotion and narrative pacing in longform content
- Strong music-to-dialogue synchronization (plays/records to match spoken-word timing)
- Retention-focused pacing approach (introducing new elements, limiting repetition, tension/climax cycles)
- Fast turnaround in high-iteration environments (typically 2 days to 1 week)
- Professional mixing workflow across FL Studio and Pro Tools with Dolby Atmos
- Technical mix discipline using metering/leveling to hit loudness/peak targets without distortion
- Musical coherence in edits (maintains/adjusts key, pitch, BPM, and timing when cutting/looping/restructuring)
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