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Vetted Media & Creative Professionals in the DMV
Pre-screened and vetted in the DMV.
Senior Creative Video Producer specializing in global brand storytelling and social-first content
Henry Wu
Mid-level Software Engineer specializing in backend, cloud infrastructure, and AI systems
“Built and launched a production self-healing MLOps agent that autonomously diagnosed and fixed model training failures on Kubernetes GPU infrastructure. Combines deep AI infrastructure knowledge with full-stack product ownership, and has delivered measurable impact including 35% less infrastructure waste, nearly 50% less troubleshooting time, and 60% lower LLM API costs.”
Senior Video Editor & Post-Production Manager specializing in broadcast, OTT, and digital asset workflows
Senior Video Producer/Editor specializing in multimedia storytelling for news, brands, and government
Director-level XR developer and VFX supervisor specializing in immersive real-time experiences
Paul Pesnell
Mid-Level Full-Stack Software Engineer specializing in automation and systems administration
“Backend-focused engineer with financial domain experience who built Java REST APIs for data entry/validation and implemented strong testing, alerting, and rollback practices for production reliability. Has hands-on experience automating legacy manual processes with Ansible and troubleshooting AWS EKS/OpenShift deployments via CloudFormation in a permission-constrained enterprise environment; comfortable with occasional onsite meetings in Bethesda, MD.”
Senior Video Editor/Producer specializing in broadcast news, documentaries, and motion graphics
Senior Video Editor specializing in broadcast news, documentaries, and motion graphics
Michael VanZetta
Senior Video Editor & Post-Production Director specializing in narrative YouTube content
“Video editor/motion graphics creator with ~20 years of Premiere Pro + After Effects experience, focused on emotion-driven storytelling and retention in longform YouTube content. Has edited for Newsflare (4M subscribers) and built their own channel, Paisetta Media, to ~100K subscribers; also mentors other editors with a quality-first, example-based feedback style.”
Senior Video Journalist & Longform Video Editor specializing in documentary and YouTube storytelling
Senior Broadcast Cinematographer & Technical Director specializing in federal studio operations
Senior Broadcast Journalist and On-Air Host specializing in sports radio and podcasts
Senior Multimedia Producer/Manager specializing in video post-production and social campaigns
Senior Editor / Post Producer specializing in film & television post-production
Senior Video Producer/Editor specializing in educational and commercial content
Senior Filmmaker & Video Producer specializing in short-form social and documentary storytelling
Senior Video Producer and Editor specializing in government, healthcare, and justice-sector content
Mid-level Multimedia Producer specializing in audio, podcast, and video editing
Senior Video Editor & Motion Designer specializing in branded and documentary content
Senior Video Editor & Sound Designer specializing in motion graphics and post-production
Senior Video Editor/Producer specializing in broadcast and government training media
David Cullen
Senior Audio Engineer and Composer specializing in sound design and music production
“Audio composer/producer with 25+ years in album production and radio who blends music, sound design, and even voice-over performance to shape narrative and emotion. Describes building an 11th-hour replacement intro from scratch using sampled war/cultural/city soundscapes and recurring motifs, and has experience restructuring music to tighter runtimes while preserving a full three-act arc.”
Mid-level Video Producer specializing in broadcast, news, and government media
Quinn Taylor
Mid-level Audio Engineer specializing in audio post-production and Dolby Atmos
“Music editor/composer for longform video/podcast storytelling who builds original cues (e.g., dark strings and spacey piano) to heighten dramatic beats, then mixes in Pro Tools with Dolby Atmos. Brings live-show pacing instincts to YouTube-style retention, and iterates quickly on notes (e.g., adding brass sections to increase energy) with typical turnaround of 2 days to 1 week.”