Noland already has a relationship with Reval, so a warm intro from us gets a much better response than cold outreach.
Recommended
Already have an account?
About
Composer/music editor focused on picture-driven longform and YouTube content, with demonstrated impact on narrative beats (e.g., re-cut horror scare in short film "Ghost in the Glass" using near-silence into a dissonant orchestral hit). Works primarily in Logic Pro with Pro Tools for score mix sessions, delivering organized stems/reference mixes and optimizing loudness and pacing for different platforms; capable of turning around ~20 minutes of wall-to-wall music in 2–3 days.
Experience
Studio AssistantAustin Fray Music
Staff Audio Engineer / Mixing EngineerMilliron Media Group
Education
University of North Carolina School of the Artsbachelor, Filmmaking (2021)
Key Strengths
Uses contrast (near-silence to dissonant impact) to improve narrative beats and scare timing
Advanced mix/session organization: templates with section busses and flexible stem export for mixers