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Noland Vannoy

Junior Film Composer specializing in hybrid orchestral/electronic scores

Austin Fray MusicUniversity of North Carolina School of the ArtsLos Angeles, CA2 Years ExperienceJunior LevelWorks Remote

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About

Composer/music editor focused on picture-driven longform and YouTube content, with demonstrated impact on narrative beats (e.g., re-cut horror scare in short film "Ghost in the Glass" using near-silence into a dissonant orchestral hit). Works primarily in Logic Pro with Pro Tools for score mix sessions, delivering organized stems/reference mixes and optimizing loudness and pacing for different platforms; capable of turning around ~20 minutes of wall-to-wall music in 2–3 days.

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Key Strengths

  • Uses contrast (near-silence to dissonant impact) to improve narrative beats and scare timing
  • Advanced mix/session organization: templates with section busses and flexible stem export for mixers
  • Platform-aware loudness and delivery approach (e.g., YouTube -14 LUFS / -1 dBTP; Netflix lower LUFS)
  • Strong picture-sync technique: tempo selection + tempo mapping to align musical beats with visual beats
  • Fast turnaround on longform content (20-minute wall-to-wall music in ~2–3 days)
  • Iterates quickly and cleanly using Logic track alternatives and stringent file naming

Reference Highlights

Strongly Recommended
  • Incredible speed, breadth, and depth as a composer
  • Strong story-first approach; fits music tightly to narrative
  • Finds the emotional core of scenes
  • Remarkable pacing and integration of narrative beats
  • Unique, vivid blended sounds that still feel real
  • High attention to detail in mixes and transitions
  • Strong dialogue/music balance and cohesive sonic palette
  • Rigorous quality-control habits
  • Diverse, cinematic musical taste across genres and moods
  • Strong instincts matching music to visuals (sound and visual acumen)
  • Able to improve/clarify emotional beats and “save” scenes with music
  • Handles last-minute feedback well; fast under pressure
  • Amenable to adjustments; willing to keep refining
  • Collaborative communicator; listens and incorporates feedback
  • Top-notch music editing that significantly strengthens final videos
  • Quickly identifies the emotional/narrative core of a scene
  • Excellent at weaving multiple character themes seamlessly
  • Hits emotional beats precisely when needed
  • Exceptional comedic timing; enhances or creates punchlines
  • Knows when to drop music out for silence/pauses and re-enter effectively
  • Maintains momentum/kinetic feel that supports viewer retention
  • Strong technical mastery; continuously learning new methods
  • Reliable on tight deadlines; fast turnaround
  • Organized deliverables; properly formatted and easy to sync
  • Takes notes quickly and implements feedback efficiently
  • Consistently strong dialogue/music balance and clean transitions
  • Adaptable across genres and moods; strong stylistic instincts
  • Not precious/defensive about his work; flexible with changes
  • Great under pressure; can quickly fix complex mix issues
  • Collaborative and fun to work with
  • Speed, adaptability, and talent appreciated by an overworked editor

Noland's references speak for themselves. Let us connect you.

Experience

Studio AssistantAustin Fray Music · Jan 2025 – Present
Staff Audio Engineer / Mixing EngineerMilliron Media Group · Jan 2024 – Present

Education

University of North Carolina School of the Artsbachelor, Filmmaking (2021)

Awards

  • Best Short — Rogers Film Festival (The Mirror)
  • Best Short — DUST Sci Fi Film Festival (Gemini)
  • Best Original Score — London Indie Shorts Festival (Spotted)

Skills

BudgetingVideo editingAdobe Creative SuiteMicrosoft OfficeFilm scoringMusic compositionHybrid orchestral/electronic scoringMusic productionAudio engineeringMix engineeringMixingPost-production audioRemote mixingSession engineeringMIDI mockups

Languages

English

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Typically responds within 24 hours

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Noland VannoyJunior Film Composer specializing in hybrid orchestral/electronic scores