Vetted Producers

“Cross-functional operator with experience at Rippling and Twitter, known for building lightweight but rigorous communication and reporting systems (shared notes, weekly updates, exec decks, issue-tracker velocity) to keep teams and executives aligned. Emphasizes psychological safety and early conflict resolution, and has supported senior leaders managing high-volume creative/media output through concise, proactive executive briefings.”

“Video editor/producer with ~15 years across Adobe Premiere and After Effects, including high-pressure live broadcast work at CNN handling rapid-turn 'crashing' graphics requests for shows like Anderson Cooper 360. Led post-production for a weekly 30-minute CBS affiliate program (Atlanta Eats), managing a multi-person editing team and standardizing graphics/templates. Currently an international video producer at Nestle, previously producing/managing YouTube content for Garden of Life.”

“Metro Boston-based director of photography and production company owner with 20+ years of experience shooting high-profile corporate and broadcast work, including lighting/shooting Bank of America’s president/CEO and contributing DP work to an Emmy-winning National Geographic Ebola documentary. Has extensive international documentary experience (German/French/British TV) and deep hands-on proficiency with Sony cinema cameras, Ronin gimbals, Autel drones, and pro audio workflows.”

“Recruiting/casting leader who has managed and scaled talent booking/sourcing teams up to 20 people, building structured communication and process systems (Slack, daily meetings, documented workflows). Interfaces daily with C-suite executives across major networks/platforms and is comfortable jumping hands-on into high-impact executive search; targeting $175K–$225K and currently remote at $208K.”

“Music editor/composer and Pro Tools power user who handled all music editing plus original composition/production (with live musicians) for Chazz Palminteri’s "A Bronx Tale: The One Man Show" (Tribeca premiere), and supervised a 5.1 mix at Harbor in NYC. Experienced in dialogue cleanup (iZotope), music-to-picture editing (time-stretch/Melodyne), and fast-turnaround workflows supported by a proprietary FileMaker Pro tracking database; also produces audio drama/Audible Originals.”

“Video editor/post-production lead who helped launch a new hour-long show (“The Why”), developing the explainer-package style from scratch and ultimately cutting 100+ explainers and ~100 full episodes. Led a four-editor team to standardize workflow and visual approach, with additional experience producing web-based content at Scripps News and editing punchy, graphics-forward YouTube music video essays for Middle 8.”

“Audio editor/mixer and music editor working on the Something Scary podcast’s weekly ~30-minute suspense/true-crime horror video component, where they shape tension and narrative beats through precise music editing, dialogue pacing, and strategic use of silence. Pro Tools–centric, template-driven workflow with automation, subtractive EQ, bussing, and loudness targeting to deliver consistent mixes at high volume and iterate quickly based on producer notes and audience retention.”

“Video editor/motion graphics specialist with ~20 years of deep After Effects experience (compositing, motion graphics, 3D camera work, expressions) and a structured longform YouTube editing workflow. Has led teams as a lead editor on branding campaigns and contributed to major channels including Univision’s YouTube/streaming presence, Sofía Vergara’s Nuevón, and travel creator David Was Here.”