Vetted Media & Creative Professionals

“Audio/music editor with hands-on experience editing and restructuring music tracks for choreography videos, combining multiple tracks, leveling volumes, and adding SFX to shape emotion and pacing. Works primarily in Adobe Audition with a repeatable EQ/compression/automation workflow and a template-driven approach to maintain consistent, dialogue-forward mixes across a series.”

“Artist/illustrator transitioning toward marketing creative; portfolio includes emotionally resonant oil painting and detailed character reinterpretation work with strong fundamentals (color theory, silhouette, contrast). Has practical experience building reusable templates and producing platform-specific video edits using Photoshop, Canva, and Adobe Express, with an emphasis on clarity, consistency, and scalable workflows.”

“Composer and music editor for an independent short film, experienced running spotting-session-driven workflows and shaping emotion through precise music timing (including strategic silence). Uses Ableton Live 12 and Digital Performer with custom templates plus FabFilter processing to deliver fast-turnaround music edits and mixes, with an emphasis on dialogue-first balance and YouTube retention-friendly pacing.”

“Music video and short film editor who also composes the music and builds practical effects/props, enabling fully integrated audio-visual storytelling. Created a sequel love-story music video featuring a forest-to-carnival transition using a handmade door prop plus masking/compositing, and a miniature-based ground-collapse climax with custom foley/soundscape and ADR after on-set audio corruption.”

“Unity developer who built and shipped a full top-down action-adventure game ("Hantu") largely solo, featuring intelligent enemy AI plus a complex mission/dialogue system tightly integrated with save/load and a mission-dependent day-night cycle. Also developed a Unity-based packing bot using a Tetris-like stacking approach, and has experience delivering Unity builds for Meta Quest.”

“Audio editor/sound designer with film-class experience handling audio and foley for an intense body-horror scene, using deliberate music cuts and industrial foley to drive pacing and climax. Works primarily in Pro Tools with an automation-heavy, “invisible” mixing philosophy and emphasizes upfront client alignment on levels and transitions for consistent results.”