Vetted Adobe After Effects Professionals

“Animation pipeline/cinematics specialist focused on Maya-to-Unreal workflows, known as the go-to person for resolving "impossible" fringe export and data-mismatch issues (FBX versions, OS differences, tool bugs). Worked on high-profile titles including Hogwarts Legacy (proprietary cinematics module), Fortnite cinematics, LEGO 2K Racers, and Judas, supporting shots end-to-end from cloth sim pre-roll to facial/body performance alignment.”

“Marketing designer who was the first design hire for Vans' retention workstream, owning the strategic approach deck and building the foundational Figma component library/templates for email and paid social. Led high-polish, multi-channel creative for major moments like Back to School and Black Friday, including lightweight motion/typographic video assets in Adobe Express and rapid iteration via async collaboration tools (Slack, Figma comments, Loom).”

“Gameplay animator with experience delivering high-fidelity action animation (Spiderman/Fantastic 4 shots) and shipped game work including Fortnite. Primarily animates in Maya, exports to UE5 via established tools, and iterates by validating animation in both Maya and Unreal; strong in mocap cleanup/polish and technical constraint workflows (parent switching, stepped animation) under deadline pressure.”

“Video editor/post-production specialist with deep Premiere Pro expertise and strong After Effects capability, currently editing for the USGA YouTube channel (features/tributes/hype content). Built the Midnight Sun Company channel from scratch starting in 2013, including a music video that surpassed 5M views, and has experience leading and mentoring a small team of editors.”

“Senior graphic designer with e-commerce marketing experience at AVVA and Apt2B.com, focused on high-polish email and paid social creative. Leans into motion design—shooting and editing video and building animated GIF assets—to drive engagement and revenue, and is experienced producing high-volume sale/Black Friday creative efficiently using grid systems and brand-guideline guardrails.”

“Marketing-focused visual designer/art director with portfolio work spanning a large-scale nonprofit fundraising campaign (Operation Smile), an automotive proposal campaign (Nissan) with static + motion concepts, and a corporate internal campaign (Millicom/Tigo). Builds scalable Figma design systems and modular video templates (Premiere/After Effects) to support high-volume output while maintaining strict brand consistency in fully remote, async collaboration.”

“Marketing designer focused on modern, high-polish creative across direct mail, responsive web, and lightweight social video. Builds scalable Figma design systems and modular template frameworks to support high-volume campaign output with bulk-edit efficiency and minimal quality drift, and collaborates closely with UA/growth and product partners in fully remote, async workflows (Slack/Figma/Loom).”

“Brand/marketing designer with experience modernizing a SaaS company’s identity (Hudson MX) and improving external perception through cohesive brand systems and asset libraries. Also supported American Express by building a scalable Figma component library to rapidly recreate UI screenshots with high fidelity using in-product access and Chrome DevTools for exact specs, and produced stakeholder interview videos for LinkedIn/Vimeo in Adobe Premiere.”

“Senior editor/post-production supervisor with extensive Premiere + After Effects experience across major media brands (Yahoo Finance, Thrillist, Yahoo News/Katie Couric) and current work producing a video suite for SkinCeuticals (L'Oréal). Known for building scalable editorial workflows (style guides, review processes) and delivering retention-focused longform YouTube edits with strong cross-functional coordination through color, audio, graphics, and social versioning.”

“Video editor with 15+ years of experience across major NLEs (Premiere, Final Cut, DaVinci, Sony Vegas) and a strong focus on longform YouTube retention through pacing, audio, and recurring hooks. Produced end-to-end, graphic-heavy weekly content for the Ditto Music Channel (self-filmed/edited/narrated/scripted), contributing to a library of 30–40 videos reaching ~5K–200K views each.”

“Video editor/motion graphics specialist with ~20 years of deep After Effects experience (compositing, motion graphics, 3D camera work, expressions) and a structured longform YouTube editing workflow. Has led teams as a lead editor on branding campaigns and contributed to major channels including Univision’s YouTube/streaming presence, Sofía Vergara’s Nuevón, and travel creator David Was Here.”

“Internal audit/GRC professional who partners closely with engineering on access controls, change management, and remediation—often translating "technically compliant" states into realistic threat scenarios and business impact. Has driven measurable reductions in privileged-access exposure through least-privilege resets and recurring reviews, and has hands-on experience troubleshooting real-world deployment/integration issues (including in a manufacturing environment) using logs/metrics and strong escalation documentation.”

“Product/marketing designer with portfolio work spanning a nonprofit-focused mobile app concept (SecondLife) and a sustainability/human-connection rebrand of an e-commerce experience ("Amado" campaign). Experienced building scalable Figma design systems for high-volume output, producing modular templates for a local music venue’s concert graphics, and collaborating asynchronously with growth and creative leadership during an internship at The Bakery Atlanta (e.g., Atlanta Streets Alive).”

“Senior video editor and post producer with deep Premiere experience (and Avid for network-style work), spanning feature documentaries, TV specials, promos, and music videos. Has led teams of 5–12 editors on high-volume schedules (5–6 shows/week) while mentoring on craft, software, music, and montage. Notable credits include work with Discovery and the YouTube channel Organic Nation (Stacey Poon Kinney).”