Vetted Video Editing Professionals

“Union music editor with 20+ years of TV/film experience, including high-profile work on Justified and The Americans. Known for narrative-focused song versioning across season finales and for extending/augmenting licensed tracks (including sound-alike composition integration) to fit complex, longform action sequences, supported by a structured Pro Tools + Video Slave + shared spotting-doc workflow.”

“Sound supervisor and mixer with 17 years in Pro Tools spanning film/TV/podcasts/YouTube, including supervising and largely executing the full audio post (SFX/Foley/ADR/music edit/mix) for Netflix Top 10 feature Mine 9. Notable for realism-first sound design informed by deep field recording in an actual coal mine and for thriving in high-volume environments (2 features/month + weekly TV; multiple weekly shows at Spotify) with fast turnarounds and consistent deliverables.”

“Marketing-focused designer/creative lead who builds modern, high-polish campaigns across healthcare and premium branding, emphasizing clarity-first typography and clean layouts. Experienced creating scalable Figma systems and modular video/template frameworks for high-volume output, collaborating closely with UA/growth and product teams in fully remote, async workflows while maintaining strict NDA discipline.”

“Performance marketer focused on high-spend lead generation, having personally owned a $500K/month account across Meta Ads and Google Search. Uses a full-funnel, multi-channel approach (including TikTok) and makes scaling decisions based on blended CPA plus downstream CRM quality metrics like lead-to-close rate, with disciplined creative/audience testing and clear client communication.”

“Paid media specialist experienced running lead-generation campaigns for a school using Meta (Facebook/Instagram), combining audience research with cinematic creative production and rapid performance optimization (e.g., reallocating budget from static graphics to higher-performing video). Emphasizes CPC/ROI-driven decision-making, landing-page and keyword alignment for Google Search, and client-safe reporting focused on leads and financial outcomes rather than vanity metrics.”

“Video editor with 10 years of Adobe Premiere/After Effects experience spanning longform YouTube, social ads, and interview-driven storytelling, with a structured post-production process from ingest/sync through graphics, SFX, audio mix, and iterative director reviews. Led and mentored intern editors with daily quality checks and brand consistency standards. Notably created video content for Crossroads Church, reaching hundreds of thousands of viewers weekly across global broadcast channels.”

“Diploma-trained in Cinematography and Sound Design (European Film College, Denmark) with hands-on, end-to-end videography experience. Recently shot and post-produced a 30-minute promotional documentary about building a professional race track in Tennessee for Rogers Group Inc., operating as the primary camera/drone operator and editor/sound mixer on a small crew. Comfortable with travel, non-traditional hours, and immediate start near Greater Boston.”

“Indonesia-based (Bali) broadcast journalism graduate (2012) who freelanced for a decade and helped build a small production house, delivering a wide range of video projects from commercials and company profiles to short films and real estate. Since 2022 has been producing social-first content in a real estate company, with hands-on expertise across directing, cinematography, lighting, drones, and audio—able to run productions solo or with a team and willing to relocate internationally.”

“Film composer and audio post professional (sound design/editing, dialogue/VO cleanup) with experience on children’s educational longform content (e.g., water-cycle episode) and a workflow geared toward YouTube retention. Works primarily in Logic Pro and Pro Tools, delivering tight music-to-picture edits, consistent dialogue-forward mixes, and rapid iterations (same-day to 48 hours) using templates, bussing, automation, and loudness targets.”