Vetted Media & Creative Professionals

“Audio post-production and composer specializing in fast-turnaround branded content and ads, with a track record of producing 700+ ads in 2025. Experienced in Adobe Audition/Ableton workflows, loudness-targeted mixing/mastering with Waves plugins, and music-to-picture editing using BPM math and stem-based arranging. Notable projects include composing for a series of 20 animated Spotify holiday ads and crafting emotionally evolving sound design for BetterHelp YouTube/RSS branded content.”

“Composer/audio editor specializing in longform picture-driven music edits and mixes, with TV credits including the comedy series "Crossing Swords." Experienced blending diegetic jazz with suspenseful orchestral scoring, building seamless transitions with stingers/silence, and using Cubase templates plus iZotope RX-driven dialogue integration for high-retention web/advertising content; based in Portland, OR and seeking remote work around $70k.”

“Los Angeles-based audio mixer/music editor and sound designer with long experience in broadcast promotional environments, delivering fast-turnaround, high-impact mixes that meet internet/broadcast specs. Has worked across short-form promos, 10–15 minute short films, and contributed music selection/editing on a 90-minute feature, leveraging Pro Tools expertise, stem workflows, and performance-informed pacing (drummer) to support retention and narrative beats.”

“Audio post professional specializing in music editing, sound design, and mixing for TV/series content, with hands-on Dolby Atmos experience. Uses a Pro Tools template-driven workflow with iZotope RX restoration, broadcast loudness targets, and full deliverables (stems + international mix), and is comfortable turning fixes around under same-day air/QC deadlines. Targeting $35/hr.”

“Experienced editor/motion graphics professional with deep Adobe Premiere Pro and After Effects expertise spanning broadcast TV spots, music videos, social/web content, and feature-length films. Notably worked on the YouTube channel Black20—nominated for Best Web Series and awarded G4TV's "Kings of DotComedy"—with videos reaching millions of viewers.”

“Gameplay animator with shipped console/PC experience on Warner Bros. Games’ MultiVersus, focused on character emotes, cinematics, and gameplay tickets. Recently implemented a realistic “semi-cinematic” interaction sequence in UE5 (camera easing, spline-guided movement with partial player control, motion-matching locomotion, montage/notify sync, and cloth + joint animation), and is comfortable owning the full Maya-to-UE implementation loop.”

“Longform YouTube editor currently serving as Food52’s sole editor for YouTube episodes, with prior experience at Maul Media, PES Group/Skypunch Creative, Tubi, and Food52. Has led consistency and quality across series by managing and giving notes to an overseas postproduction agency, and brings a retention-driven approach (cold opens, pacing, music, b-roll, and motion/typography) through final color, mix, and QA.”

“Backend-focused engineer with financial domain experience who built Java REST APIs for data entry/validation and implemented strong testing, alerting, and rollback practices for production reliability. Has hands-on experience automating legacy manual processes with Ansible and troubleshooting AWS EKS/OpenShift deployments via CloudFormation in a permission-constrained enterprise environment; comfortable with occasional onsite meetings in Bethesda, MD.”

“Post supervisor and editor with 10 years of solo editing experience and 5+ years deep in Adobe Premiere, plus After Effects for light character animation, motion graphics, and title work. Created event-based video introductions for large crowds (e.g., Shoptalk) by integrating Premiere and After Effects, and has worked on widely reached content at Hyve. Known for a structured, client-collaborative multi-pass workflow and for mentoring editors using shared standards and color/FX libraries.”

“Composer/music editor with experience scoring GTA V missions at Rockstar Games, designing narrative-driven but gameplay-reactive music with adaptive layers implemented via middleware. Uses Pro Tools for frame-accurate arrangement and Ableton Live for sound design, with a hybrid outboard/in-the-box mix chain targeting broadcast/streaming loudness standards. Strong emphasis on original sound creation (custom SFX/Foley) and scalable workflows via templates and SOPs.”

“Audio post professional with 5 years selecting and editing music for America's Most Wanted, handling rapid emotional shifts across missing-children segments, reenactments, and action sequences. Emphasizes seamless music/SFX transitions and tension-building techniques (e.g., reverse drones), with a structured Pro Tools workflow from dialogue leveling through final loudness/stem deliverables.”

“Music editor/composer working primarily in Pro Tools with experience scoring and editing a 6-minute animated short and creating background music for a YouTube vlog channel. Emphasizes narrative timing (markers/tempo mapping), dialogue-first mixing, and template-driven workflows to deliver consistent stems/mixes quickly in high-iteration environments, including retention-focused adjustments based on editor feedback.”

“Audio/music editor and producer with recent long-form brand work for Novartis, crafting a playful modern Motown-inspired track tailored to a two-act narrative. Works in Logic Pro and Final Cut with a plugin-heavy mix/master workflow (Soundtoys, Native Instruments, Spectrasonics, Output) and emphasizes automation for dialogue-safe mixes and rapid same-day iteration on notes.”