Vetted Adobe Photoshop Professionals

“Entrepreneurial, creative candidate who previously turned wedding dressmaking into a lucrative business, doing extensive upfront research and teaching themselves vendor sourcing, website building, and marketing. Also claims to have invented early smart TV concepts but lacked legal protection at the time; now looking to bring creativity and drive to help another company (CEO/leadership aspirations).”

“Unity/VR developer who has shipped multiple Meta Quest titles, including a Meta Quest 3 VR heritage app backed by the Malaysian Tourism Commission. Built a complex MMO metaverse game end-to-end solo (Photon Fusion 2 multiplayer, 21x13km world, procedural biomes, combat/inventory) with blockchain/NFT integration (Solana/BSC) and AWS hosting, and actively uses AI tools to accelerate prototyping and internal tooling.”

“Marketing-focused designer/creative lead who builds modern, high-polish campaigns across healthcare and premium branding, emphasizing clarity-first typography and clean layouts. Experienced creating scalable Figma systems and modular video/template frameworks for high-volume output, collaborating closely with UA/growth and product teams in fully remote, async workflows while maintaining strict NDA discipline.”

“VFX artist who shipped the mobile title WAGIMI Defense, creating a broad range of effects across UI and character actions. Highlights hands-on real-time/mobile optimization experience, including reducing overdraw and tuning shaders/emitters to keep effects performant while maintaining visual quality (e.g., tank shot VFX).”

“Unreal Engine generalist (7 years) with hands-on ownership of end-to-end gameplay systems in real-time 3D C++ and UE5, spanning technical level design, animation/locomotion features, and multiplayer replication. Worked on a shipped Steam title ("Peak 53") implementing replicated systems like prone, scope, and ladder, and has also built MMORPG time/weather systems and a projectile/rocket launcher feature for a demo (Meta Island).”

“Performance marketer focused on high-spend lead generation, having personally owned a $500K/month account across Meta Ads and Google Search. Uses a full-funnel, multi-channel approach (including TikTok) and makes scaling decisions based on blended CPA plus downstream CRM quality metrics like lead-to-close rate, with disciplined creative/audience testing and clear client communication.”

“Valencia-based sports management/marketing master's candidate with 2 years of hands-on youth soccer scouting and assistant coaching experience at Inter San José, including recruiting international players who later moved up to higher categories. Also launched a club with friends and managed its social media, editing videos that reached ~4,000 views.”

“Video editor with 10 years of Adobe Premiere/After Effects experience spanning longform YouTube, social ads, and interview-driven storytelling, with a structured post-production process from ingest/sync through graphics, SFX, audio mix, and iterative director reviews. Led and mentored intern editors with daily quality checks and brand consistency standards. Notably created video content for Crossroads Church, reaching hundreds of thousands of viewers weekly across global broadcast channels.”

“Web/mobile QA tester with solid core testing skills (Jira-based bug reporting, functional/regression/exploratory testing) looking to pivot into console game QA. Brings strong personal familiarity with PlayStation and Nintendo platforms and a risk-based approach to triage under deadlines, plus practical use of AI to speed up test planning and log investigation.”

“3D artist from a live marketing agency in São Paulo who shipped VR/AR/MR brand experiences, including a Meta Quest tennis experience for FILA and a mixed reality perfume feature demo for Natura. Creates user-comfort-focused VR feedback VFX and can prototype interaction checks in-engine using ChatGPT-assisted coding before handing off to engineering.”

“Marketing/brand designer with portfolio work spanning luxury cosmetics social creative and a Figma-designed website (Shea Organics), plus reusable brand kit templates. Emphasizes minimal, high-end visual craft and practical template usability, and has a concrete example of iterating on brand color direction with a client to preserve intended mood while meeting stakeholder preferences.”

“Frontend-focused developer who has built projects end-to-end, including a solo website for an HVAC business aimed at driving customer calls. Uses React.js with Framer Motion and some MongoDB-backed functionality, and iterates on UI based on feedback (e.g., accessibility and simplicity).”

“Designer who created an original kid-and-adult-friendly coffee shop brand concept (“Not Your Average Kid’s Coffee”) and executed a full suite of branded deliverables (logo/sub-logo, packaging, merch, and roast bags) with cohesive illustration, characters, palette, and patterns. Has basic Figma web mockup experience and some video editing familiarity (Premiere/After Effects/DaVinci) with attention to platform-specific pacing and safe-area constraints.”

“Video editor/motion content creator with advertising and social media experience, spanning high-production commercials/YouTube series and building a glasses/frames brand’s online presence with a marketing team. Skilled in end-to-end editing (audio, color, pacing, motion graphics) and has created documented workflows and onboarded/mentored additional editors to maintain consistent quality.”

“Video editor with 15+ years in Adobe Premiere and After Effects, specializing in longform YouTube and teaching-style content with a strong focus on pacing and audience retention. Has led and mentored other editors by building style guides and enforcing consistent standards, and has edited long-form high school sports content for the YouTube channel In the Game Magazine.”

“Real-time VFX artist with hands-on Unity experience (VFX Graph, Particle System, Shader Graph) who builds effects end-to-end—from low-poly Blender meshes to staged, timed VFX in-engine. Has demonstrated optimization work by rebuilding a particle-heavy lightning hand effect into a mesh+shader solution to reduce overdraw and GPU load while maintaining visual quality.”